Arnold Schwarzenegger Reveals How James Cameron Worked On Terminator 6 And The Avatar Sequels At Once

By  at August 03, 2019  , , ,  No comments
Arnold Schwarzenegger Reveals How James Cameron Worked On Terminator 6 And The Avatar Sequels At Once

For the first time since 1991s Terminator 2: Judgment Day, James Cameron will have a hands-on role in a new Terminator movie with Novembers Terminator: Dark Fate, where he serves as producer and creative consultant. But James Cameron is a busy guy, and he is also still working on his long-awaited Avatar sequels. The Terminator himself, Arnold Schwarzenegger, explained how James Cameron worked on Terminator 6 and Avatar at once, saying:

It was a very interesting film to do with Tim, the dynamic, between him and with Jim Cameron producing. So Jim Cameron is right now directing Avatar films so hes taken on this enormous challenge and hes very busy with that BUT hes a control freak and as you know, Terminator is kind of his baby so he does get involved in the filming so there were interesting discussions about which direction to go with a certain scene or how the dialogue should finish or what the certain look should be of an individual and all that stuff so there was a big collaboration between Jim and Tim Miller. I feel it was in good hands with both of them.

You often hear the names of big Hollywood directors attached to certain movies as producers, but that title doesnt always mean that person had an active creative role with the film itself. That isnt the case here. As Arnold Schwarzenegger told TheArnoldFans, James Cameron is a control freak, and the Terminator characters and story are ones he co-created and is attached to. So despite having a lot on his plate filming Avatar 2 and Avatar 3, he still made time for Terminator: Dark Fate.

He didnt just give a couple of notes either; by the sound of it, James Cameron had an active enough role that Arnold Schwarzenegger actually took note of his influence and collaboration with director Tim Miller. The director and producer had a creative back and forth on this sixth Terminator film, with the franchises creator giving his input on its latest entry.

James Cameron discussed big picture stuff like the direction of a scene, down to specific bits of dialogue and the actual design and look of the characters. He and director Tim Miller had a collaborative relationship where they both worked together to form what this film will be and deliver the best possible product.

Arnold Schwarzenegger said that he felt the film was in good hands with Tim Miller and James Cameron, and that pairing is certainly encouraging. Tim Millers Deadpool was a smash hit, and the last time this franchise was exceptional (minus the brilliant and cancelled-too-soon Terminator: The Sarah Connor Chronicles TV series, of course) was when James Cameron was last involved with Terminator 2: Judgment Day. He knows this world and these characters, and is two for two in delivering great movies in this universe, so his return is exciting.

How exactly James Cameron made time for his work on Terminator: Dark Fate, while also working on the Avatar sequels in terms of logistics is unclear. But somehow he was directing the Avatar sequels while being a producer on Dark Fate. Perhaps we can just chalk it up to efficiency, excellent time management and that James Cameron is James Cameron. Or some Terminator-esque time travel shenanigans.

The plot for Terminator: Dark Fate is still being kept under wraps, but it is expected to retcon some of the continuity and act as a continuation of the first two films. As such, it will see the return of Linda Hamilton's iconic Sarah Connor and, of course, Arnold Schwarzenegger's Terminator. The film also stars Mackenzie Davis, Natalia Reyes, Diego Boneta and Gabriel Luna.

Terminator: Dark Fate opens in theaters on November 1 and James Camerons Avatar 2 is set to hit theaters on December 18, 2020. Check out our 2019 release schedule to keep track of all the biggest movies fighting for your attention this year.





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These are just four suggestions for who Gunn should keep around. There's no telling at this point how many characters from the first Suicide Squad will return, if any. Still, it would be a shame to see so many DC characters forgotten about after just one appearance, so hopefully he'll at least use a few familiar faces in Suicide Squad 2.



Once upon a Deadpool is a great movie. Not as funny as the first 2 but still overall pretty funny. Still with extremely violent scenes, many S words, very little sexy scenes, and a scene drinking in a barI think it is ok for kids 10+. No graphic nudity and beeps out F-bombs. It might be a little too voilent for sum kids. Great movie.
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Star Wars: The Last Jedi Prop Could Show Up In The Han Solo Movie

By  at August 03, 2019  , , ,  No comments
Star Wars: The Last Jedi Prop Could Show Up In The Han Solo Movie

Star Wars: The Last Jedi is a movie that is going to have significant repercussions for the events of Episode IX, but there's one item that is used in the movie that could be even more important for Solo: A Star Wars Story. A bit is made in Star Wars: The Last Jedi about a set of gold dice hanging inside the Millennium Falcon. While fans might have recognized them, from appearing in previous films, the documentary included in The Last Jedi makes a point to specify why they are important to Han Solo, which means we could see them in the next Star Wars film. A crewmember handling props explains...

We made these dice which were hanging in the Millennium Falcon cockpit. Apparently, it's what Han Solo used to win the Millennium Falcon so he's always kept them hanging up.

Solo: A Star Wars Story is going to give us a young Han, a young Lando, and the Millennium Falcon. There was already a good chance we would see the moment where Han takes possession of the ship in the film, so if we do, then we will see these dice again. It's just as likely then, that we'll see Han taking those lucky dice and turning them into the keepsake that we see Luke remembering in The Last Jedi.

Traditionally, the story of how Han Solo won the Millennium Falcon has involved a blackjack like card game called Sabacc, but the official story is that the two were playing a dice-based variant called Corellian Spike. The fact that Han Solo won the ship from Lando Calrissian is canon, it's mentioned in The Empire Strikes Back, but the details as to how have previously only been available through non-canon sources. It's possible Lucasfilm decided to make the dice, which have been there from the beginning, hanging up on unremarked on in Star Wars: A New Hope, a focal point in The Last Jedi so that fans who never noticed them before will be familiar with them when they are referenced again. The source of the dice is never mentioned in The Last Jedi, so why do they have a history at all, unless there are plans for the story to be known?

This would make a certain amount of sense. The casual fan probably never noticed the dice until Star Wars: The Last Jedi drew attention to them. It works by itself, but if there are plans to incorporate small or big easter eggs into the new movie that predates the original trilogy, it makes sense to make sure that fans are aware of the dice before showing Han Solo hang them up on his new ship for the first time.

While the "connected universe" has been around for a while now, the fact is that Star Wars is still new to the idea. Star Wars movies have all been directly related to each other, rather than simply taking place in the same universe and Solo: A Star Wars Story will be the most disconnected to date, including characters we know but, as far as we know, a plot that is unrelated to the larger story. The dice could connect Solo to the larger saga in a more direct way.

Star Wars: The Last Jedi is now available on Digital.




Star Wars: The Last Jedi is a movie that is going to have significant repercussions for the events of Episode IX, but there's one item that is used in the movie that could be even more important
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Mark Hamill Channels Ariana Grande When Asked About Star Wars Episode IXs Title

By  at August 02, 2019  , , ,  No comments
Mark Hamill Channels Ariana Grande When Asked About Star Wars Episode IXs Title

Now that we finally know the title of the next Avengers movie, it's time for everybody to get obsessive about the title of that other major 2019 release, Star Wars Episode IX. While it will likely be some time before we get this one officially, some fans are already getting a little too excited about it. In response to one fan who proclaimed he would try and pull the title out of Mark Hamill, the actor has responded with a title that won't make for a great Star Wars movie, but is probably the perfect name for an Ariana Grande pop music album, What do you think of Star Wars: Thank U, Next.

The Ariana Grande reference works double duty for Mark Hamill as it makes for a funny title for a Star Wars film and also works as a response to the guy who claims he'll get the title from Hamill. Clearly, the actor doesn't think anybody will be getting any spoilers from him. Then the icing on the cake is a second pop music reference in the tweet, that he's "Sorry, not Sorry" he made the joke.

Attempting to get spoilers out of Mark Hamill seems like a fool's errand. The man has been playing this game with us for years now and no leaks have been traced back to him. He usually responds to requests for info with jokes like this. He's having fun playing with the fans.

On the plus side, it's possible we won't have too long to wait to get the actual title of Star Wars: Episode IX. The title of Episode VIII was dropped in late January in 2017, so, if Lucasfilm holds to a similar promotional schedule for Episode IX, we could have the title of that movie before the end of this month.

Of course, in the case of Avengers: Endgame, we didn't get that title until the first trailer was released. If Disney liked the way that worked, the studio might decide to wait on the title here as well. We didn't get the first trailer for Star Wars: The Last Jedi until Star Wars Celebration in April, so maybe we won't get answers until then.

Some Episode IX titles have been rumored or suggested by fans, though it's impossible to tell at this point if any stock should be put into them. The title could be pretty much anything considering we know next to nothing about the movie.

And while knowing the title will certainly be nice, it's unlikely to really give us much information. While both of the previous Star Wars titles made sense once we'd seen the movies, they gave us few hints about what we'd be seeing.

They did, however, give us lots of angles for discussion and we can certainly guess we'll be trying to dissect the Episode IX title for answers, regardless of whether or not it actually provides any. When Episode IX has a title, we'll have it here at CinemaBlend.






The Ariana Grande reference works double duty for Mark Hamill as it makes for a funny title for a Star Wars film and also works as a response to the guy who claims he'll get the title from Hamill
Mark Hamill Channels Ariana Grande When Asked About Star Wars

Mark Hamill Channels Ariana Grande When Asked About Star Wars


Mark Hamill Channels Ariana Grande When Asked About Star Wars Episode IX's Title Movies January 11, 2019 No Comments Now that we finally know the title of the next Avengers movie , it's time for everybody to get obsessive about the title of that other major 2019 release, Star Wars Episode IX .
Mark Hamill Channels Ariana Grande With Episode IX Title


The Ariana Grande reference works double duty for Mark Hamill as it makes for a funny title for a Star Wars film and also works as a response to the guy who claims he'll get the title from Hamill. Clearly, the actor doesn't think anybody will be getting any spoilers from him.
Mark Hamill Channels Ariana Grande When Asked About Star Wars


Mark Hamill has trolled a fan who demanded that the Luke Skywalker star reveal the title of the forthcoming Star Wars: Episode IX movie. The fan in question posted on Twitter: "If they don't release the title of the film soon I'm just gonna have to get it out of [Mark Hamill] myself."
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The as-yet untitled Star Wars: Episode IX is expected to hit theaters at the end of the year, but details about the film are being kept tightly under wraps. Late last year, Star Wars icon Mark Hamill shed a light on all the precautions Disney takes to make sure plot details stay within the film's brain trust, but that hasn't stopped fans from clamoring for pot details.
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Home 2019 January 11 Mark Hamill Channels Ariana Grande When Asked About Star Wars Episode IX's Title feel free to call us +646-389-3981 info@mmnofa.com admin , January 11, 2019 January 11, 2019 , Entertainment , 0
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A fan had posted a comment that said if he didn't get the official title for Star Wars: Episode IX soon, he'd get it out of Mark Hamill himself. Well, Mark picked up on the comment and made sure to troll the fan, as well as other Star Wars fans with an Ariana Grande inspired response.
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starwarshub.net/2019/01/11/mark-hamill-trolls-star-wars-fans-after-being-asked-the-title-for-star-wars-episode-ix/
Don't you just love it when Mark Hamill channels his inner Joker. It should be known by now you shouldn't asking the Clown Prince of Crime himself what the title of the next Star Wars film is going to be. Because you are not going to get a serious answer. After all he is probably under contract to k
Mark Hamill's Joke Star Wars: Episode IX Title Channels

To 3D Or Not To 3D: Buy The Right They Shall Not Grow Old Ticket

By  at August 01, 2019  , , ,  No comments
To 3D Or Not To 3D: Buy The Right They Shall Not Grow Old Ticket

To 3D or Not To 3D is back, and it is an honor to be evaluating the 3D version of director Peter Jacksons World War I documentary, They Shall Not Grow Old. Pieced together through actual footage shot at least a hundred years ago, with audio archives from soldiers who actually fought the battles themselves, this amazing retrospective gives a vibrant, living face to a conflict consigned to the realm of historical remembrance. But as such, hearing that a 3D conversion was added into the mix had us asking if this was worth the extra effort, or if audiences need not bother.

Which is why were here today to ask whether you should see They Shall Not Grow Old in standard 2D, or splash out for a 3D experience. If youre looking for what we thought about the film itself, head on over to our official review. Otherwise, its now time to ask that famous question,To 3D, or Not To 3D?

On the surface, some might question why a historical non-fiction film like They Shall Not Grow Old should be presented in 3D. But seeing the results of Peter Jacksons restoration of footage from a century ago, its not hard to see why this 3D version was put together. Immersing the audience in a full 3D setting helps keep the audience invested in a story thats more typically seen as further removed from the history of today. Its a classic case of using modern technology to give the audience a fresh perspective on history.

The limitations of the footage presented in They Shall Not Grow Old feel like more of a by-product that can be attributed to the age and condition of the source material. But the amount of love poured into the preservation and conversion of this footage is shown much clearer in this 3D presentation. While theres still some aspects that are slightly shy of perfect, namely the Before The Window and Brightness aspects, the entire product shines with maximum effort. This is a well crafted product, with great intent showing in each frame.

There really arent any aspects of They Shall Not Grow Old that come off of the screen in a manner that wed typically attribute to 3D. That being said, theres still a consistent amount of visual assets that protrude towards the screen, stopping short of coming off of it. Explosions, firing cannons, and various horse driven vehicles coming towards the camera are good examples of projecting the visual elements towards the audience, but as far as breaking the window that is the screen, it stops just short of doing so.

One of the most impressive features involving They Shall Not Grow Olds 3D conversion is the fact that the picture depth is used to great effect. Not only are persons and objects separated from their environments, those same environments are pretty deep in their depiction. Even in the bookending segments where the footage is purposely displayed in a more 2D fashion (reminiscent of the 3D conversion of Tron Legacy), theres a depth added by using an old time film frame that adds layers to the film. Peter Jackson explains as much in the introduction shown with the film, and by time the picture expands and immerses the audience in the action of World War I, the 3D effect brings the film into a living, breathing display of humanity.

The colorization of They Shall Not Grow Old is so beautiful, that when the footage converts into a full theatrical experience its breathtaking. That being said, the typical issues with 3D glasses dimming the picture being displayed are still present with this film. Though that could vary depending on your screening of the film, as how a theater maintains their 3D projectors tends to have an effect on how bright a 3D film is shown. Even with that aspect in play, the colors and action are still bright enough to be made out clearly; theyre just slightly dimmed.

With a film that shifts between decorative and immersive 3D, theres certainly a variance to the blur that is involved in They Shall Not Grow Olds presentation. Through both bookending segments, the blur isnt all that powerful, with a lighter extent being used to show a flatter picture than what youll be seeing during the majority of the film. Once the full 3D picture comes into play, the blur thats used to display the level of manipulation used on the film increases. Again, there seems to be some limitations imposed by the age of the footage, but overall, the level of blurriness supports the amazing extent to which the picture is projected into 3D greatness.

There is absolutely no strain or nausea involved with watching They Shall Not Grow Old. In fact, this feels like one of the most impressive / easiest 3D conversions to watch. While itll take a little getting used to watching World War I footage in a 3D context, none of the adjustment will be of any physical effect. Your eyes wont have a problem adjusting to the full 3D presentation of the film, and to a certain extent thats probably because of the adjustment period thats granted through the films opening bookend, which employs 3D to a lesser extent than the majority of the film.

While certain limitations exist when it comes to converting footage that's almost 100 years old into a 3D presentation, They Shall Not Grow Old is an exemplary example of why such undertakings are worth the effort. The immersive nature of this conversion helps drive home the case for proper usage of 3D in non-tentpole / dramatic non-fiction narratives. This is a fantastic example of using a deliberate, well-planned 3D conversion to draw an audience deeper into the story theyre watching on the screen; something that Peter Jackson always seems to excel at.

Be sure to visit our full To 3D Or Not To 3D Archive.





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Which is a shame, because while that role was indeed a classic, the film he really wanted to be remembered for was Mel Brooks' Young Frankenstein. This fact was brought up during an interview with Woman's World, in which Gene Wilder biographer Brian Scott Mednick mentioned one particular interview where Wilder made this fact well known.
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Dark Phoenix's Sophie Turner Compares Jean Grey With Sansa Stark May 24, 2019 cinemablend Leave a Comment 5 minutes ago With the Game of Thrones series finale still fresh on our minds, seeing Sophie Turner move on from Sansa Stark to Jean Grey in less than a month is destined to attract comparisons.
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Jean Grey emits a somewhat similar energy as a member of the X-Men, who becomes haunted by her new powers and must fight for herself in Dark Phoenix. However, Sophie Turner explained that Sansa is more self-assured than Jean is in the upcoming flick, who will grapple with her identity and place in the world after being hit by a solar flare and
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Poms currently has a 32% on Rotten Tomatoes, meaning that the reviews weren't all bad, and opening night audiences gave the film a "B+" CinemaScore, indicating those who saw it generally liked it. So is Poms' box office failure tied to the bad reviews?
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